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Choreopoet, Performer - of song, music,poetry playwright,director,publisher, composer,multi-media artist, journalist, blogger, creative visionary arts, cultural activist, sojourner, urban griot,chamelon dreamer

Thursday, 24 March 2011

Give Me The Lights & the Magic Mirror ....

I had a brilliant time today, doing a guided tour of a digtial media centre with Sean and myself, of the excellent equipment and studio facilities (some mac some pc kit audio visual etc.). We envisage using over the summer, to pilot the creative digital visual ideas for the project. In our subsequent meeting together, it became clear, that what was needed was a joint (myself and Sean) presentation, to the various groups associated with this digital media centre, to explain the project. To present its vision and its innovative collaborative nature to them . This way we maybe able to access the resources that we would require. they would benefit from a being involved in a very exciting innovative collaborative project that would benefit student learning and experience.

The deadline for this is the next three weeks. It would also help to get on board also, possible MA students to work with us as a summer project. As part of the creative digital team. With another more experienced person in the field of film/technical etc. to work alongside Sean. This is a bigger creative digital team than previously planned, to create and test the performance platform for the piece . Further decisions are to be made, as to whether we have the correct amount and type of equipment to buy- in order to tour with. In addition - what equipment we would use in-house in theatre venues (we would need very detailed information of equipment , layout , power points etcc here ), arts venues in phase 2 of the project (i.e. installations).

Importantly, we agreed on a combination of classic theatrical lighting techniques with state of the art creative digital still & moving images, to work seamlessly woven into the narrative drama and movement. In particular to move the dramatic character between locations and time zones in a very sutble way. For strictly limited use of interactive software for particular dramatic moments . Other modes of interactvity are possible with other digital moving visuals. Importantly to use the dressing room of the diva character - as a core theatrical transformative device - of still & moving images of multiple projections. However we agreed to ensure the work is fully lead by the performance of live literature and physical theatre.

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